We have been publishing about 「COLOR OF
LAYERED COSTUME STYLE」(The specimen of the
color - mounting the dyeing-weaving silk
on the pasteboard)
We have been publishing this by making Royal Family's classical costumes
even now and investigating history of Japanise
classical costume and textiles.In addition, as we have a large number of
research materials of Japanise Imperial classical costume and textiles really,we attend to hand down the
culture of Japanese nobility exactly.
「COLOR OF LAYERED COSTUME STYLE」
(The specimen of the color - mounting
the dyeing-weaving silk on the pasteboard)
EVEN NOW IN JAPAN THE BEAUTY OF TEXTILES
IN THE 10TH CENTURY(THE HEIAN ERA)IS EXISTENT.
We are sorry this explanation is Japanese
only.
COVER |
CONTENTS
○ the color combination of cloth's and lining's
monochromes
○ the color arrangement of several layered
robes
○ the materials of textiles that are handed
down by THE TAKATA FAMILY
○ the color combination of warp and weft
of brocaded fabrics
○ the color that is decided and must use
by rank ,and the funeral color
○ the color that was dyed by plants
The specimen of the color is mounting the dyeing-weaving silk on the pasteboard
exactly.
the color combination of cloth's and lining's monochromes (the sort of 132) | the color arrangement of several layered
robes (the sort of 42) |
the materials of textiles that are handed
down by THE TAKATA FAMILY (the sort of 2) |
the color combination of warp and weft of brocaded fabrics (the sort of 22) |
the color that is decided and must use by rank ,and the funeral color(the sort of 14) | the color that was dyed by plants (the sort of 15) |
the number of page 30 the size 32cm×50cm the number of specimen 225 the number of the basic color that is used in this 693 (contain) the explanation (Japanese only) |
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You can buy the explanation only. (Japanese only)
2,625yen
COLOR OF LAYERED COSTUME STYLE
The delicate changes in nature during the
four seasons endowed the Japanese with a
fine and sensitive mind.It can be seen clearly
in the Japanese costumes from ancient times,in
which the beautiful tones of the seasons
are reflected in the color scheme of costumes.
In the 10th century (the midlle of the
HEIAN ERA of Japan),the costumes of the court
nobles became free and loose-bodied in the
transition from a Chinese style to a Japanese
one.And with a style of building made suitable
for summer,a layered style was developed
for purposes of adjusting the layers of robes
in accordance with temperature of the season,or
expressing the charm of elegant composition.First
of all,they appreciated the color combination
of cloth and lining,so that they put a name
to the combination of these two monochromes.Or
they determined an appellation of the new
color for layered style with sensitivity
to beauty,by which they could communicate
with each other.And then,they extended this
method from color combination of cloth and
lining of a single robe,to the color arrangement
of several layered robes.Furthemore,the color
combination of warp and weft of brocaded
fabrics was also categorized into the color
of layered style.They classified these color
combinations by four seasons and others(which
were used at all seasons)to express the seasonal
beauties of nature.
The name of such a color scheme was called
"KASANE IROME"(layered colors)since
around the 17th century (the EDO ERA of Japan).It
is a coinage which did not exist in the HEIAN
ERA.The word "IROME"(color tone)originally
had a meaning of "article" or "item".Apart
from this question,the color of layered style
was a symbolic expression of natural beauty,as
well as an application of the atmosphere
created by its name,to the extent that it
became an expression of literary tastes.
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The Takata Institute of Japanese Imperial Classical Costume